The midcentury era was one of spontaneity and non-conformity, pushing past limits and unleashing pent up emotions amassed over decades of economic hardship and sacrifices of war. The “Greatest Generation” was ready to get on with a life of unabridged spirit, energy and excitement. They were willing to work long and hard and were determined to succeed. Undaunted, they were simply unafraid to fail. This was arguably the generations greatest attribute, and it fostered unparalleled achievement.

 

From this generation, Milo Baughman (1923-2003) emerged as one of the greatest designers of the era. His challenge to himself was to create original modern designs that were not just distinctive but purposeful. Success was his goal, but without the gratification of betterment it would be meaningless. He once stated, “I am much more interested in the atmosphere of a space than in design as such.” He further observed, “The structure of the living environment… must create well being for its inhabitants… it must offer significant social and emotional benefits. It simply cannot just look good."

 

Baughman’s originals were created with an uncompromising commitment to "classic modern." In 1967 an interviewer asked him to define the difference between contemporary and modern as some had begun using the words interchangeably. Baughman stated, “It is very simple to me… contemporary is currently stylish and modern is based on a set of principles. If I create the proper modern design, it should be enduring."

 

Thayer Coggin (1922-2003) was the consummate American entrepreneur. A prudent and respected businessman and engineer, he was the ideal counterbalance to Baughman’s boundless imagination and spirit. 

 

Baughman’s vision embraced an aesthetic of modern shape, scale and proportion. More importantly, Baughman felt the artistry of the back of a piece of furniture should be just as important as the front, fueling a desire for his designs to be placed in the round and landscaped into a room.

 

In conjunction, Coggin’s engineering expertise offered insight into setting the proper pitch and angles critical for maximizing back support and seating comfort. Milo insisted on upholstery that was trim, tailored and crisp. Coggin required extremely high-quality standards, specifying the finest premium grade raw materials with strict adherence to time-proven manufacturing techniques to ensure structural integrity. Since 1953, signs displayed throughout Thayer Coggin’s manufacturing facility state: “Quality First, Production Second."

 

We take great pride in our highly-respected reputation. Our commitment is to put forth every effort to continue to earn your trust. We appreciate your consideration to specify our furniture for your working environment.